With the explosion of vampire fiction bombarding us from every direction, going from Meyeristic sparkle to Burtonesque camp, from Coppolidian veritas to Ricean evolution, what is it about vampires that pulls in our imagination? What is it that makes a great vampire in modern mainstream media?
The list of fictive vampires that would encompass this criteria can be exhaustive, so a measure of measuring criteria would need to be established before any meaningful result can be ascertained. In short, we would need to define the meaning of ‘great’ in this context. Could it be the popularity of the character? If so, then dear Edward Cullen might have what it takes to be great, even with that unfortunate skin condition. Is it a closeness to the founding myths of our favourite nightstalkers that needs key consideration? Then perhaps Francis Ford Coppola’s Dracula could have a seat at this table, hairy palms and all.
As that line of reasoning is not really getting us anywhere, could we propose an alternative measure in this conflict? Reading the recently stumbled upon great article by psychologist Dr. Belisa Vranich in the Huffinton post (the fact that the article has been there since 2010 is moderately irrelevant) that documents her 10 reasons why we love vampires, we can have a clear benchmark for our late great fictive escape.
These 10 reasons breathe understanding into the phenomenon hitherto-unseen to date to my mind, and should form the basis for our exploration into vampire fiction.
After reading that article, how many vampires un-live up to your expectations now?